IL CINEMA PER I DIRITTI DI CHI LAVORA
Ordine dei Consulenti del Lavoro di Torino Mercoledì 4 ottobre, ore 10.00, Sede dell’Ordine dei Consulenti del Lavoro, via Pietro Giannone 10 Evento in collaborazione con Ordine dei Consulenti del Lavoro di Torino Job Film Days, in collaborazione con l’Ordine dei Consulenti del Lavoro di Torino, presenta mercoledì 4 ottobre tre cortometraggi che mettono in scena differenti aspetti del mondo lavorativo e differenti prospettive. Arbete at Alla!, Rosa e pezza e Normale, trop Normale riflettono gli sguardi di registi di tre Paesi come Svezia, Italia e Francia, e offrono un ricco punto di partenza per l’incontro che segue le proiezioni. Un incontro che vede la partecipazione di Luisella Fassino (Presidente Ordine Consulenti del Lavoro di Torino), Luca Furfaro (Coordinatore Centro Studi Torino), Carlotta Castagneris (Presidente Giovani Farmacisti Torino), Marco Frus (Presidente Associazione Giovani Avvocati Torino), Dennis Maseri (Presidente Nazionale Giovani Confcooperative) e Virginia Bertone (Presidente Gruppo Giovani Federalberghi Torino). Durante l’incontro saranno presentati dei dati a cura del Centro Studi dell’Ordine dei Consulenti del Lavoro di Torino. Modalità di accesso: Ingresso a invito ROSA E PEZZA (Italia, 2022, 17′) Regia: Giulia ReginiSceneggiatura: Giulia Regini, Alessandro Logli, Elisa PulciniInterpreti: Enrico Borello, Gabriele Di Stadio, Luciano TeodoliProduzione: CSC Production – Centro Sperimentale […]
OR DE VIE (Burkina Faso/Benin/Francia, 2023, 84′) Mercoledì 4 ottobre, ore 21.00, Cinema Massimo, Sala 3 Apertura Sezione Africa subsahariana Evento in collaborazione con il Centro Internazionale di Formazione – ITCILO Mercoledì 4 ottobre alle ore 21.00 al Cinema Massimo, apre la sezione sull’Africa subsahariana di Job Film Days 2023, con la proiezione del film Or de vie di Boubakar Sangaré (Burkina Faso-Benin-Francia, 2023). Il cineasta maliano filma la vita di adolescenti che lavorano ogni giorno nelle miniere d’oro, insalubri e prive delle minime protezioni, del sud del Burkina Faso, con rari momenti di svago. La serata è organizzata in collaborazione con il Centro Internazionale di Formazione – ITCILO, con sede a Torino. Presentano la sezione e il film, in anteprima nazionale, Giuseppe Gariazzo (critico cinematografico e collaboratore di Job Film Days) e Daniela Ricci (insegnante e ricercatrice in cinema, esperta in cinematografia d’Africa e delle diaspore). Seguirà l’incontro con Rute Mendes (funzionaria del Programma di politiche e analisi del lavoro ITCILO). Modalità di accesso: l’evento è accessibile tramite l’acquisto dei biglietti online o alla biglietteria del Cinema Massimo. Acquista il biglietto online Regia, sceneggiatura: Boubacar Sangaré Fotografia: Isso Emmanuel Bationo Montaggio: Gladys Joujou Suono: Seydou Porgo Produzione: Imedia, Merveilles […]
Venerdì 6 ottobre, ore 10.00, Università degli Studi di Torino, Palazzo Nuovo, Sala Lauree Terracini Evento in collaborazione con Magistratura Democratica e Università degli Studi di Torino – DAMS Venerdì 6 ottobre Job Film Days presenta, in collaborazione con Magistratura Democratica e Università degli Studi di Torino – DAMS, I due volti della giustizia. La narrazione nelle serie televisive del lavoro di magistrati e polizie giudiziarie. In questo evento, con un taglio innovativo e con la partecipazione di esperti del mondo della giustizia e della formazione, sarà possibile discutere di che cosa è vero, verosimile, fantasioso o immaginario nella rappresentazione delle indagini, dei processi, del lavoro dei magistrati e delle polizie giudiziarie all?interno delle serie televisive italiane, anche attraverso la presentazione di brevi filmati tratti da alcune serie. L’evento, rivolto in particolare alle studentesse e agli studenti del Corso di Studio DAMS (Dipartimento di Studi umanistici) e del Dipartimento di Giurisprudenza dell’Università, è aperto al pubblico. L’incontro sarà condotto da Giuseppe Battarino (giurista e scrittore) e da Giulia Francesca Muggeo (Università di Torino, DAMS). Parteciperà anche Enrico Cassini (docente sindacale di diritto del lavoro). Modalità di accesso: ingresso gratuito.
GOOD LIFE (Lithuania/Sweden/Finland, 2022, 72′) XXX X ottobre, ore XX.XX, Cinema Massimo, Sala X Buy ticket online Director, screenplay: Marta DauliUtE, Viktorija SiaulytePhotography: Elisabeth Marjanovi? CronvallEditing: Niklas KullstromSound: Vytis PuronasProducer: MDEMC, Just a moment, Hillstream Pictures What happens when entrepreneurial storytelling becomes part of the deepest self of a person and a community becomes a commodity, a product? By using different visual forms, including animation, the film stands as a delicate and critical glance on a world where work without pauses is intertwined in shared spaces, virtual connections, self-management and private life, innovation, precariousness, flexibility and individual adaptation are put to the test. Marta Dauliute (Siauliai, Lithuania, 1984) studied directing at Valand Art Academy of Göteborg. In addition to directing and producing short films and documentaries, she is co-organizer of Noncitizen, a project of nomad cinema and she teaches directing. She manages the production company MDEMC with Elisabeth Marjanovic Cronvall in Stockholm. In 2013, she collaborated with the director of the documentary short film L’Europe moderne of Maja Kekonius. She lives in Sweden. Viktorija Siaulyte (Kaunas, Lithuania, 1985) is a director, independent curator and producer in the fields of contemporary art, architecture and cinema. At the moment she co-curates […]
NEXT SOHEE (South Korea, 2022, 134′) XXX X ottobre, ore XX.XX, Cinema Massimo, Sala X Buy ticket online Director, screenplay: July JungPhotography: Kim Il-yeonEditing: Lee Young-lim, Han Ji-younMusic: Jang Young-gyuActors: Kim Si-eun, Doona BaeProduction: Crank-up Film So-hee is a student that decided to choose practical vocational training. She begins to work in a call-center, but soon she has to confront the unbearable pressure put on her by an unscrupulous company. Due to this hard situation, So-hee dies. Inspector Oh Yoo-jin, who turns out to have a point in common with the girl, is in charge of following the case to discover the causes of the young worker’s death. July Jung (Yeosu, South Korea, 1980) studied image and media at Sungkyunkwan University. After graduating, she entered the Korean National University of the Arts, majoring in Film. Her filmography began in 2007 with the short film A Man Under the Influenza, followed by another short film A Dog-Came Into My Flash, in 2010. She produced her first documentary in 2014, A Girl at My Door, which was presented at the Cannes Film Festival and it was well received, as was the subsequent Next Sohee (2022). Filmography: A Man Under the Influenza […]
AGREB MAJNOUNA / THE GUARDIANS OF MARGOUM (Tunisia, 2022, 63′) XXX X ottobre, ore XX.XX, Cinema Massimo, Sala X Buy ticket online Director and screenplay: Akram MoncerPhotography: Abdelmonem Ben Gaied, Helmi Ben ChahbounEditing: Zied Ben HassineSound: Tarek MahfoudhiProduction: Aymen Moncer, Akram Moncer In the city of Oudhref, situated in the governorate of Gabès, in the South-East of Tunisia, women face the daily life behind their job as weavers to claim their right to assert themselves. These pioneers are custodians of a millennial heritage, which is the weaving of the margoum, a traditional carpet from the tunisian city of Gafsa. Oudhref women represent the incarnation of art and memory, constituting the secret of life or rather survival. Akram Moncer (Gabès, Tunisia, 1985) graduated from the Institut Supérieur des Arts Multimédias in Tunisia in the department of audiovisual and cinema. A filmmaker and producer, he is an atypical author, always looking for new expressive forms in a varied career, which includes documentaries, advertisement and theater pièces. In 2012, he founded Artworks Production with his brother Aymen. He directed different works for the television channel Al Jazeera Documentary. In 2014, he debuted in feature films with the documentary Les oiseaux migrateurs, which […]
Mercoledì 4 ottobre, ore 17.00, Cinema Massimo, Sala 3 Evento in collaborazione con Scuola di animazione – Centro Sperimentale di Cinematografia sede Piemonte SELEZIONE DI CORTOMETRAGGI DI ANIMAZIONE SULLE TEMATICHE DEL LAVORO Quest’anno Job Film Days collabora con la Scuola di animazione del Centro Sperimentale di Cinematografia sede Piemonte, con un evento speciale che avrà luogo giovedì 5 ottobre alle 15.00 al cinema Massimo. Questa collaborazione porta al pubblico del Festival lo sguardo di giovani artisti che praticano un mezzo che ha espresso e sta sviluppando sempre più notevoli possibilità sia in termini di ricerca sia in termini produttivi, offrendo un’occasione di incontro e di scambio stimolante e promettente. Sarà proiettata una selezione di cortometraggi animati “d’autore” curata dagli allievi della scuola, che tocca i temi del lavoro in modi assai vari, dove il punto di vista nelle scelte fatte è intenzionalmente quello di giovani creativi in cerca di ispirazione e di riferimenti, piuttosto che di storici o critici della materia. In rassegna, fra gli altri, anche due corti realizzati alla scuola come progetti di diploma e la proiezione di The meatseller, cortometraggio già in selezione alla Mostra di Venezia 2023, sezione “Orizzonti”, frutto del lavoro artistico di un folto […]
ABOUT THE CLOUDS (Argentina, 2022, 143′) XXX X ottobre, ore XX.XX, Cinema Massimo, Sala X Buy ticket online Director: María AparicioScreenplay: María Aparicio, Nicolás Abello, Emanuel DíazPhotography: Santiago SgarlattaEditing: Martín SappiaSound: Juan Manuel YeriActors: Leandro García Ponzo, Eva Bianco, Pablo Limarzi, Malena León, Juana OviedoProduction: Trivial Media, Las Flores Ramiro is a cook in a bar. Hernán is an unemployed technician with a teenage daughter. Nora is a nurse in a public hospital and her husband works night shifts in a hotel. Lucía is an employee in a small and militant book shop. While the young woman crosses urban places, four stories alternate in Córdoba, fifth character of the film. None of them knows each other. A choral film in beautiful black and white shot in the director’s hometown. María Aparicio (Córdoba, Argentina, 1992) studied at the National University of Córdoba and worked for different directing and editing projects. In 2016 she made her feature film debut with Las calles participating and winning several festivals. Before shooting Sobre las nubes, her second feature film, she directed the short films Hombre bajo la lluvia (2018) and Buscar trabajo (2022). She lives in Córdoba and she is working on her new […]
GORGONA (Italy/Usa 2022, 90′) XXX X ottobre, ore XX.XX, Cinema Massimo, Sala X Buy ticket online Director, screenplay, photography: Antonio TibaldiEditing: Valentina AndreoliSound: Alessio Fornasiero, Todd ToonProduction: No Permits Produktions, GraffitiDocDistribution: Bloom Distribuzione Gorgona prison-island, 19 miles from Livorno, is the last agricultural penal colony in Europe. On this piece of land, about 90 inmates undertake a re-educational path based on work, from tending livestock to activities in the fields. The only real resident is the elderly Luisa Citti, descendant of one of the families that populated the island in the 1800s. The film follows five prisoners in a world far away from everything, in a unique prison, in the middle of the sea. Antonio Tibaldi (Sydney, Australia, 1961) is an Italian-Australian director who lives in New York. Since the 1990s, he has been working as director and screenwriter in Europe, Australia and North America. In 1991 he made his feature film debut with On My Own, which was presented at the Festival di Cinema Giovani (Youth Cinema Festival) of Turin. From that moment his filmography alternated between feature films, short-films, fiction films, documentaries on America, Asia and Africa, and works for television. Filmography: American Wilderness (mm, 1988), On […]
GUMBO COALITION (Usa, 2022, 108′) XXX X ottobre, ore XX.XX, Cinema Massimo, Sala X Buy ticket online Director: Barbara KopplePhotography: James Ball, Asad Faruqi, Gabriella Garcia-Prado, Gary Griffin, Thomas Kaufman, Bradley Rayford, Christopher Renteria, Jeff Saunders, Ray WhitehouseEditing: Hannes Hosp, Rob KuhnsMusic: Chris PaultreStarring: Marc H. Morial, Janet MurguíaProduction: SellersEaston Media, Cabin Creek Films Driven by the mutual determination not to be “the generation which let progress slip by”, national social justice leaders Marc Morial and Janet Murguía, alongside their Afro-American and Hispanic communities, join forces to fight structural racism in a worrying resurgence of white supremacy in the Trump era. Two-time Academy Award-winning director Barbara Kopple adopts a cinéma vérité approach to navigate the complex arc of racial justice during the pandemic years. Barbara Kopple (New York, Usa, 1946), US director and producer, she attended the School of Visual Arts in the 1960s where she met the filmmakers Albert and David Maysles, active in the documentaries, and she collaborated with them. The documentary genre will become her favorite art form. In 1972, Kopple founded the production company Cabin Creek Films. Four years later, with Harlan County U.S.A, she won her first Academy Award as best documentary, followed in […]
DONNA OGGETTO / DONNA SOGGETTO Giovedì 5 ottobre, ore 15.00, Cinema Massimo, Sala 3 Acquista il biglietto online SCIENZA E BELLEZZA (Clemente Crispolti, 1954, 9′) LE RAGAZZE DELLA COPERTINA (Alberto De Martino, 1954, 11′) LA STRADA DELLE MODELLE (Filippo Masoero, 1955, 10′) QUALCOSA SULLA PELLE (Leonardo Autera, 1962, 10′) LA RAGAZZA DI PLASTICA (Luigi Di Gianni, 1966, 11′) UNA DONNA UN OGGETTO (Riccardo Napolitano, 1973, versione ridotta 4′) SELEZIONE DI SPOT PUBBLICITARI (Italia, 1965-1972, 11′) CAROSELLO – LEACRIL – DONNE IN EUROPA ? EUROPA (Regia di Paolo e Vittorio Taviani, 1965-1966) 2,37 CAROSELLO – MOVIL – GENTE IN MOVIMENTO ? MODELLA SPOT – INNOCENTI – SCOOTER – LAMBRETTA 50CL LUI CAROSELLO TERITAL RHODIATOCE -TERRY (Guido Crepax, 1970) 2,32 SPOT – BIRRA PERONI -BIONDA PERONI (1971) SPOT BIRRA PERONI 1972 – FEMMINISTE 1? SPOT – SAPONE RESPOND – CON DIDORIL – FRESCA TUTTO IL GIORNO E SICURA DI TE (1972) 0,44 SPOT – OLIVETTI – MACCHINA PER SCRIVERE PORTATILE – VALENTINE – DONNA NELLO SPAZIO 1,15 UNA DONNA UN OGGETTO (Riccardo Napolitano, 1973, solo 4′ 28” dall?inizio)
DRAGON WOMEN (Belgium/Switzerland/South Korea/Germany, 2022, 82′) XXX X ottobre, ore XX.XX, Cinema Massimo, Sala X Buy ticket online Director, screenplay: Frédérique de MontblancPhotography: Olivier Boonjing, Tristan GalandEditing: Julie Naas, Thjis Van NuffelMusic: Nicolas RabaeusProduction: Savage Film, Beauvoir Films, Seesaw Pictures Often called “Dragons”, women in the financial sector still represent a small minority, especially in the upper echelons of power. In 2020, they were only 3%. The movie, filmed in different cities of Europe and Asia, shows a series of portraits of women who operate at the top of the financial industry, revealing the personalities that they had to build in order to gain access to important positions and the parts of themselves that they had to leave at home to reach those positions. Frédérique de Montblanc (Bruxelles, Belgium, 1982) completed her studies first in Montreal and then in Los Angeles between 2004 and 2007. She is a director and a visual artist who produces interdisciplinary projects. With choreographer Dominic Walsh she produced a short-film Malta Kano, Tx in 2015. Among her other works, the video The Cellar, transmitted in 2012 on the web and presented in a Parisian gallery. As a scenographer, she collaborated with directors and choreographers […]
THE KILLING OF A JOURNALIST (Danimarca/Repubblica Ceca/Usa, 2022, 100′) XXX X ottobre, ore XX.XX, Cinema Massimo, Sala X Buy ticket online Direction: Matt SarneckiPhotography: Anna SmoronováEditing: Janus Billeskov JansenMusic: Kristian Eidnes AndersenProduction: Final Cut for Real, OCCRP Ján Kuciak is 27 years old when is found dead with his girlfriend Martina Ku?nírová at home. The brutal homicide triggers strong reactions in all Slovakia while Ján’s colleagues are mobilized to discover the truth. When a secret dossier is leaked, connivances are revealed between the government, police and judicial system with the controversial businessman Marian Kocner. He was suspected and then tried as instigator of the murder of the young journalist, who was investigating his trafficking. The case became a political case. Matt Sarnecki (Chicago, Usa) grew up in Los Angeles and at 17 years old he moved to New York to attend Columbia University. He graduated in political science and history. After some experiences in Romania and Czech Republic, he came back to New York in 2007 where he began to create documentaries and worked for television channels. In 2011 he moved to San Francisco and graduated in journalism at Berkeley University. Journalist, producer and documentary director, with The Killing […]
THE GAMER (Finland, 2023, 80′) XXX X ottobre, ore XX.XX, Cinema Massimo, Sala X Buy ticket online Direction, photography: Jesse Jokinen, Petri LuukkainenScreenplay: Jesse Jokinen, Petri Luukkainen, Jussi SandhuEditing: Jussi SandhuMusic: UpRightSound: Juho LuukkainenProduction: Napafilms Verneri, stage name Bona, is a Finnish super videogamer, but he has never won a final. With the help of a psychologist, things seem to be taking a new turn for the young champion, who vacillates between giving up and giving everything to reach his goal. The film shows us an unknown area of the work world, that of the videogames and professional video gamers, leading us ?behind the scenes? of that environment. Jesse Jokinen e Petri Luukkainen are Finnish filmmakers. Jokinen began his career as assistant director for TV films and TV series in 2004. He worked as director of photography for cinema and TV. The Gamer is his first movie. Luukkainen debuted in feature film in 2013 with the autobiographical documentary comedy My Stuff, followed by works for TV before co-directing The Gamer. Currently he is preparing the musical documentary Never-ending Dream. Filmography:Jesse Jokinen: Christoffer Strandberg Show (TV series, 2023).Petri Luukkainen: My Stuff (2013), Just Boys IRL (TV mini series, 2018), Voiko […]
COTTON 100% (Germany/Uzbekistan, 2022, 68′) XXX X ottobre, ore XX.XX, Cinema Massimo, Sala X Buy ticket online Director: Mikhail BorodinScreenplay, photography: Timur Karpov, Mikhail BorodinStarring: Mukhabbat Madrimova, Yelena UrlaevaProduction: 139 Documentary Center, Einbahnstrasse Productions Uzbekistan’s cotton industry gained a sad notoriety for the ecological havoc it caused, including the almost complete disappearance of the Aral Lake. Even the working conditions are problematic. Activist Yelena looks for the cotton pickers? help to bring the abuses that they are forced to endure everyday to light and ensure that their rights will finally be guaranteed. Mukhabbat is a farmer and activist in the International Labor Organization. Two strong and determined women facing the challenges of a society where forced labor is the norm. Mikhail Borodin (Toytepa, Uzbekistan, 1987) shot his first movie at 18 years old. After graduating, he moved to Moscow to study film direction in 2010. He carried out various jobs before entering the school of cinema and pursuing his passion for the seventh art. In 2017 he created the short film Crimea Is Ours, a comedy about the Russian annexation of Crimea. In 2022 he debuted in the feature-film with Convenience Store, on the traffic of Uzbek women in […]
SUR L’ADAMANT / On the Adamant (France/Japan, 2023, 109′) XXX X ottobre, ore XX.XX, Cinema Massimo, Sala X Buy ticket online Direction, screenplay, photography, editing: Nicolas PhilibertSound: François Abdelnour, Elias Boughedir, Éric Ménard, Nathalie VidalProduction: TS Productions The Adamant is a psychiatric day center located on a barge on the Seine, in the heart of Paris. Through music, painting and bodily expression workshops, the patients face a responsibilization path which aims to make possible a new perception of their own position in the world. It won the Golden Bear in Berlin. The new film by Nicolas Philibert investigates this place in which healthcare personnel and patients build together their daily life fighting against the dehumanization of psychiatric treatment. Nicolas Philibert (Nancy, Meurthe-et-Moselle, France, 1951), after a degree in philosophy he began to deal with cinema as an assistant to René Allio and Alain Tanner. In the last years of the 1970s he started a career in real-life cinema. In 1978 he debuted with Gérard Mordillat La voix de son maître. From 1985 to 1987 he shot various mountain and sports adventure films for television. Then, he began to create documentary films for the cinema. In 2002 he directed the […]
PONGO CALLING (Czech Republic/Slovakia/Great Britain, 2022, 78′) XXX X ottobre, ore XX.XX, Cinema Massimo, Sala X Buy ticket online Direction, screenplay, photography: Tomas KratochvílEditing: Marek BihunMusic: Jonatan PastircakSound: Michal HorvathProduction: Produkce Radim Prochazka, HITCHHIKER Cinema Written, filmed and directed by the Czech filmmaker Tomás Kratochvíl, Pongo Calling is the portrait of the Roma truck driver ?tefan Pongo, who emigrated to the United Kingdom with his family. When the Czech president affirms that Roma people are reluctant to work, ?tefan launches an appeal on Facebook asking for photos of Roma people who work. He became a famous media figure, he created a volunteer agency and fought a battle that brought him to Brussels Parliament. His mission was abruptly interrupted by his death at 50 years old. The film pays tribute to him. Tomás Kratochvíl (Brno, Czech Republic, 1983) graduated from Charles University and then he attended the famous school of cinema FAMU in Prague. In 2012 he co-directed Hives, a collective film born from the collaboration of five European schools of cinema. With Gadjo he described his six months spent in a Roma community excluded by the society. The following Czechs Against Czechs is an ideal continuation of the preceding […]
OMBRE A MEZZOGIORNO / Shadows at Midday (Italy, 2023, 75′) XXX X ottobre, ore XX.XX, Cinema Massimo, Sala X Buy ticket online Direction: Enrico CarnuccioScreenplay: Nicodemo Bumbaca, Enrico CarnuccioPhotography: Stefano CrociEditing: Enrico Carnuccio, Enrico MasiMusic: MujuraProduction: Caucaso Based on the micro story of the director?s family, cue for a wider analysis, the film analyzes the great internal Italian migration in the 1960s and 1980s. Through personal histories, the documentary makes a journey from Calabria to Turin. The documentary highlights the displacement, the uprooting, the disorientation of who left their land and had to relocate in an unfamiliar city and a new work environment, that of the factory. Enrico Carnuccio (Turin, Italy, 1981) is a photographer, filmmaker and researcher of environmental acoustics. He graduated as a civil engineer, then he specialized in the study of the soundscape. Between 2010 and 2020 he lived in Lisbon and Heidelberg, developing his visual approach as a photographer. He consolidated his experience as a filmmaker by collaborating with Caucaso Factory and by working on the projects: Shelter – Farewell to Eden (2019), Lucas a lucendo – A proposito di Carlo Levi (2019) e Terra incognita. In 2019 he produced and directed Ökofast, an experimental […]
IL LAVORO NEL CINEMA Sabato 7 ottobre, ore 15.00, Cinema Massimo, Sala 3 Incontro con Paolo Mereghetti. Moderano Chiara Borroni e Mariapaola Pierini (Università di Torino – Dipartimento di Studi umanistici, DAMS) A partire dalle schede del celebre dizionario, che ha festeggiato il suo trentennale con l’edizione di quest?anno, Paolo Mereghetti condurrà il pubblico in un viaggio attraverso il cinema che ha trattato il tema del lavoro. Da Tempi moderni a Smetto quando voglio, il cinema di tutti i tempi e di tutti i paesi ha trovato nel lavoro una questione cruciale per leggere la società e le sue problematiche. L?incontro sarà occasione per scoprire e riscoprire insieme alcune di queste opere. Ingresso gratuito, consigliata prenotazione all?indirizzo programmazione@museocinema.it
RISO AMARO (Italy, 1949, 108′) XXX X ottobre, ore XX.XX, Cinema Massimo, Sala X Buy ticket online Regia: Giuseppe De SantisSceneggiatura: Corrado Alvaro, Giuseppe De Santis, Carlo Lizzani, Carlo Musso, Ivo Perilli, Gianni PucciniFotografia: Otello MartelliMontaggio: Gabriele VarrialeMusica: Goffredo PetrassiInterpreti: Silvana Mangano, Vittorio Gassman, Raf Vallone, Doris Dowling, Checco Rissone, Nico Pepe, Adriana Sivieri, Lia Corelli, Carlo MazzarellaProduzione: Lux Film In fuga dalla polizia dopo avere rubato la collana di una cliente su istigazione dell?amante Walter, Francesca, giovane cameriera d?albergo, sale su un treno pieno di mondine dirette da Torino verso le risaie vercellesi e si unisce a loro. Silvana, mondina veterana della stagione della semina del riso, le sottrae la collana. Sul luogo del lavoro Walter raggiunge Francesca e seduce Silvana. Quando scopre che la collana è falsa decide di rubare il riso accumulato nei magazzini. La tensione cresce e la tragedia incombe. Giuseppe De Santis (Fondi, Italia, 1917 ? Roma, Italia, 1997), regista, sceneggiatore e attore, studia filosofia all?Università di Roma. All?inizio degli anni Quaranta entra nel mondo del cinema frequentando il gruppo della rivista ?Cinema? con registi quali Carlo Lizzani e Michelangelo Antonioni. Nel 1942, dopo aver seguito i corsi del Centro Sperimentale di Cinematografia, gira […]
DEADWEIGHT (Germany/Finland, 2016, 88′) XXX X ottobre, ore XX.XX, Cinema Massimo, Sala X Buy ticket online Direction: Axel KoenzenScreenplay and dialogues: Axel Koenzen with the collaboration of Horst Markgraf e Boris DoranPhotography: Alexander GheorghiuEditing: Benjamin MirguetSound: Johannes Schmelzer-ZiringerActors: Tommi Korpela, Ema Vetean, Archie Alemania, Manuelito Acido, Frank Lammers, Jeanne BalibarProduction: Rohfilm, Oy Bufo Ab Ahti Ikonen is the captain of Brugge, a container ship of 35.000 tons arriving at Savannah port. The necessity of shortening the charging procedures causes the death of a crew member and the workers rise up calling for a boycott. The journey resumes but the balances are compromised and the captain has to deal with his own guilt and the difficulty of managing the situation. When the ship arrives at Rotterdam, the unionized dockers refuse to unload the ship and the tension explodes. Axel Koenzen (Germany) studied photography in New York and worked as freelance photographer and visual researcher for some companies, including Columbia Tristar Los Angeles. He studied film direction attending German Film and Television School of Berlin where he directed some short films. Deadweight is his first feature film. The documentary Patara is from the same year, 2016, directed with Ali Olcay Gözkaya. […]
TRES EN LA DERIVA DEL ACTO CREATIVO / Three in the Drift of the Creative Art (Argentina, 2022, 96′) XXX X ottobre, ore XX.XX, Cinema Massimo, Sala X Buy ticket online Direction: Fernando E. SolanasPhotography: Nicolás Fedor SulcicEditing: Nicolás Fedor Sulcic, Luca ZampiniMusic: Mauro LazzaroActors: Luis Felipe Noé, Eduardo Pavlovsky, Fernando E. Solanas, Gaspar Noé, Juan Solanas, Victoria SolanasProduction: Carolina Alvarez, Victoria Solanas Posthumous documentary by Fernando Solanas, one of the major Argentinian and Latin Americans filmmakers who died in 2020. Tres en la deriva del acto creativo describes the encounter of three senior artists and friends (Solanas, the painter Luis Felipe Noé, the playwright, actor and psychoanalyst Eduardo Pavlovsky) who met, with their relatives, to talk about their work and the ways to create it. More than a mere documentary, it is a film that proposes a common reflection on the art of making art and a heartfelt act of love towards life. Fernando Ezequiel ?Pino? Solanas (Buenos Aires, Argentina, 1936 – Paris, France, 2020), director, producer, screenwriter, actor, musician, cartoonist in the 1960s he was one of the founders of Grupo Cine Liberación. He was politically and socially committed and in 1968 he debuted in the feature […]
SENZACHIEDEREPERMESSO (Italia, 2014, 95′) XXX X ottobre, ore XX.XX, Cinema Massimo, Sala X Buy ticket online Director: Pier Milanese, Pietro PerottiScreenplay: Pietro PerottiPhotography: Daina Pupkeviciute, Pietro Perotti, Alessandro Costanza, Monica AffatatoEditing: Pier MilaneseMusic: Franco RanghinoProduction: Cinefonie, Fiom Torino e Piemonte Pietro Perotti, worker at the Fiat Mirafiori plant from 1969 to 1985, was in the communication sector of the factory, creating stickers, murals, writings, drawings, papier-mâché and foam rubber puppets, thus transforming worker processions into a street theater performance. With his Super8 camera, he filmed the strikes that started in 1974. Drawing on previously unpublished material shot by the author-worker, the film builds a portrait of what was Europe’s largest metalworking factory. Pier Milanese (Alessandria, Italy, 1956) is a director and producer. After moving to Turin in the early 1970s, he took an active part in the political and social struggles of those years, developing a great passion for social and political commitment and for cinema. In the 1980s, he devoted himself to his first experiments with video – exploring stories with a militant gaze – and began working as a production and editing assistant. He shot his first documentary, Nica Libre: appunti dal Nicaragua in 1985. He worked […]
LA CLASSE OPERAIA VA IN PARADISO (Italia, 1971, 125′) XXX X ottobre, ore XX.XX, Cinema Massimo, Sala X Buy ticket online Regia: Elio PetriSceneggiatura: Ugo Pirro, Elio PetriFotografia: Luigi KuveillerMontaggio: Ruggero MastroianniMusica: Ennio MorriconeInterpreti: Gian Maria Volonté, Mariangela Melato, Luigi Diberti, Salvo Randone, Renata Zamengo, Mietta Albertini, Flavio BucciProduzione: Euro International Film Ludovico Massa, detto Lulù, operaio in una fabbrica metalmeccanica, è una sorta di campione del cottimo: nessuno dei compagni riesce a eguagliare il suo ritmo produttivo. Non è contento di se stesso, ma si ammazza di fatica, finché un giorno perde un dito. Completamente cambiato, sostiene la necessità di uno sciopero a oltranza. Viene licenziato. Grazie all?intervento dei sindacati è riassunto. Alle soglie della pazzia, ai compagni favoleggia di un muro da abbattere oltre il quale c?è il paradiso della classe operaia. Elio Petri (Roma, Italia, 1929 ? Roma, Italia, 1982), regista, sceneggiatore e critico cinematografico, inizia la carriera negli anni Cinquanta collaborando al soggetto e alla sceneggiatura di film di diversi cineasti, in particolare Giuseppe De Santis, da lui considerato il suo maestro. Fin da adolescente profondamente legato agli ideali della sinistra, dirige il primo lungometraggio nel 1961, L?assassino, interpretato da Marcello Mastroianni, nel quale già […]
LA VERITÀ SECONDO MAUREEN K. Martedì 19 settembre, ore 21.15, Cinema Centrale Arthouse Buy ticket online Regia:
INNESTI Martedì 26 settembre, ore 21.00, Cinema Italia – Vercelli Acquista il biglietto online Regia:
MOSTRA DI GIANLUCA COSTANTINI Mercoledì 27 settembre, ore 18.00, Galleria Caracol
DEMÉNOI / TIED (Grecia, 2019, 53′) XXX X ottobre, ore XX.XX, Cinema Massimo, Sala X Acquista il biglietto online Regia, soggetto: Tassos MorfisFotografia: Yannis DrakoulidisMontaggio: Gerasimos DomenikosMusica: Giannis PapaioannouProduzione: AthensLive, Rosa Luxemburg Stiftung, Fosphotos Atene, 2015. La Grecia è vicina alla bancarotta. Una compagnia marittima tra le maggiori del Paese, la Lesvos Shipping Company, è al collasso finanziario. 320 lavoratori navali, senza stipendio da mesi, entrano in sciopero contro di essa. Sette mesi di strenua lotta ? dal porto all?ufficio del primo ministro ? durante il periodo più critico e buio della storia della società ellenica moderna sono raccontati con grande ritmo e tensione. La storia di una lotta per il riconoscimento dei propri diritti che continua. Tassos Morfis (Grecia) lavora come reporter diventando imprenditore tecnologico e produttore di documentari. Collabora con emittenti come Channel 4 e CNN International ed è consulente del Consiglio d?Europa e della World Association of News Publisher?s Global Advisory. Per la stampa locale e straniera copre la crisi greca. Nel 2016 co-fonda la società indipendente AthensLive. Tied è il suo esordio nel cinema con il quale vince nel 2021 la seconda edizione di Job Film Days. Filmografia: Deménoi (doc., 2019).
I RECUPERANTI (Italy, 1969, 101′) XXX X ottobre, ore XX.XX, Cinema Massimo, Sala X Buy ticket online Regia, fotografia, montaggio: Ermanno OlmiSceneggiatura: Mario Rigoni Stern, Tullio Kezich, Ermanno OlmiMusica: Gianni FerrioInterpreti: Andreino Carli, Antonio Lunardi, Alessandra MichelettoProduzione: RAI-Radiotelevisione Italiana, Prod. Palumbo Al termine della guerra, dopo aver partecipato alla campagna di Russia, Gianni torna al suo paese. Molte cose sono cambiate in quel villaggio di montagna dove i giovani se ne vanno all’estero. Con altri uomini si mette a fare il taglialegna abusivo. L?anziano e solitario Du prospetta loro la possibilità di un buon guadagno recuperando i residuati della prima guerra mondiale sparsi sulle montagne per venderli ai grossisti che arrivano dalla città. Dapprima esitante, Gianni accetta il nuovo lavoro. Ermanno Olmi (Bergamo, Italia, 1931 ? Asiago, Italia, 2018), regista, sceneggiatore, direttore della fotografia, montatore, scrittore, trascorre l?infanzia tra il mondo operaio della periferia milanese e quello contadino di Treviglio, nella campagna bergamasca. All?inizio degli anni Cinquanta inizia a lavorare alla Edison per la quale documenta le produzioni industriali realizzando una trentina di documentari. Nel 1959 esordisce nel lungometraggio con Il tempo si è fermato, cui segue nel 1961 Il posto, in cui descrive le esperienze di due giovani […]