After the positive partnership that started last year, Job Film Days and the Piedmont Order of Journalists are renewing their shared commitment with a new project dedicated to exploring the world of work. For the seventh edition of the festival (October 6th to 11th, 2026), a call for submissions has been opened for a collective photography exhibition aimed at building a multi-voiced visual narrative, highlighting the role of photojournalism as witness to the present and a tool for reflection on labour rights and transformations. Photographers are invited to participate by submitting a snapshot able to narrate work in its multiple forms. The proposals must be submitted by August 28th, 2026 to info.ordine@odgpiemonte.it, in print-ready JPG format (long edge 5000 px), accompanied by a brief caption and a short biography. The exhibition will be curated by Paolo Siccardi for the Piedmont Order of Journalists and by Stefania Collina for Job Film Days. The opening, scheduled for the week before the festival begins, will be paired with a professional training workshop dedicated to the connection between image and labour, as well as how photography has helped shape its public perception.

In anticipation of the 7th edition of Job Film Days (October 6 -11, 2026), Turin prepares to welcome the festival with the cover image created by illustrator Michele Peroncini. Michele Peroncini‘s artwork is a programmatic manifesto: using cinema lenses, his aim focuses directly on productive reality and on labor rights. Framing the city of Turin through worn-out working gloves highlighting the willingness of the event to put people in the spotlight, their fatigues and their stories, transforming the work into the protagonist and privileged spectator of cinematic culture.  Michele Peroncini lives and works in La Spezia. I moti celesti, his first comic, was published by Coconino press in 2024. Following immediate appreciation by both critics and readers for his great talent, the French publisher Sarbacane released his work in 2025. He’s renown as one of the most promising voices of the Italian comic scene, he collaborates as illustrator and comic book artist for various magazines and publishers. The collaboration between film days and Michele Peroncini was born thanks to Leonardo Guardigli, Coconino press‘ art director who’s been festival image guide coordinator for several years.

For the seventh edition of the Job Film Days festival (Turin, October 6 – 11, 2026), the call for entries for the “Lavoro 2026” International Film Award – organized in collaboration with INAIL Piemonte – is now open on the FilmFreeway platform (www.filmfreeway.com). The Award is open to documentaries and feature-length fiction films produced in Italy or abroad on the theme of work. The best documentaries and feature-length fiction films that explore one or more aspects of the world of work will be honored. Examples include: occupational health and safety, protections and rights, emerging risks, employment issues, new professions, sel-employment, women’s work, child labor, migrant labor, artisanal work, domestic work, prison labor, aging in the workforce, employment integration of people with disabilities, and the professional and social reintegration (including through sports) of people who have suffered work-related injuries or occupational diseases, etc. The deadline for submitting entries is July 20, 2026. Download the “Work 2026” call for entries here.

For the seventh edition of the Job Film Days Festival (October 6–11, 2026), the call for entries is now open on the FilmFreeway platform (www.filmfreeway.com) for the “Job for the Future 2026” Film Award, organized in collaboration with the Turin Chamber of Commerce, reserved for short films produced in the European Union and directed by filmmakers under the age of 40. Awards will be given to the best short films (fiction, documentary, animation, journalistic video reports, and mobile journalism works) that address emerging jobs and the challenges of contemporary work, including technological change, environmental transition, and transformations in society and lifestyle choices. The deadline for submitting entries is July 15th, 2026. Download the “Job for the Future 2026” call for entries here.

In the context of the “Uscite di sicurezza 2026” project, sponsored by the City of Turin and managed by Ismel and Cooperativa Motiva, Job Film Days organizes the storytelling and audiovisual narration “Smart Safe: la sicurezza per me!“, addressed to young people aged 15-25.  The workshop will take place at La Baraca polyfunctional center, via Rapallo 20, in the center of Turin’s district 1, from April 29th to June 10th, with five meetings directed by Elena Beatrice and Daniele Lince, field specialists.  The aim is to offer the theoretical and practical tools to be capable of using audiovisual means and at the same time to prompt reflection on labour health and safety, stimulating ideas and stories in those who participate that can draw inspiration from their daily life and from the theme we’re facing this year, the so-called “psychosocial” risks: work-related stress, mobbing, violence and harassment.  Admission is free and will be followed by a moment of final debriefing with a screening produced during the next edition of Job Film Days festival. Applications must be submitted by April 23rd, 2026, writing to info@jobfilmdays.org. Download the flyer 

The writing workshop “From idea to Scriptment” returns this year with the fifth editionof Job Film Days: an encounter with writing for cinema on labor themes organized by Job Film Days ETS in collaboration with Associazione Videocommunity. Three days of encounters and debates in Turin (May 9th, May 30th, June 13th), during which film industry experts and representatives from labour organizations will direct the participants in the writing process of a scriptment to send at the Job Film Days’ Festival Contests section, within August 31st.  During the Festival, awards will be presented to the best screenplays and story treatments, made possible by the support of the Turin Order of Labor Consultants and Aurora Penne. Registration and participation are free of charge. Applications must be submitted by April 24, 2026. Download the call for applications and the full program. You can submit your application by filling out the online FORM.

The compelling collaboration between Job Film Days and Associazione Ratoj of Saluzzo continues with the screening of the Grand Jury Prize winner from the 2025 “Lavoro 2025” JFD-INAIL Piemonte International Film Award: How to Talk to Lydia? by Rusudan Gaprindashvili.  The screening will take place on Monday, March 2nd, at 9 P.M., at Cinema Teatro Magda Oliviero in Saluzzo, a major cinematic and cultural hub in the area. Having made its world premiere at the festival, the film highlights the interaction between humanity and AI as it takes shape in the contemporary neoliberal capitalism, telling a story of economic migration in which the worker is forced “to wear” artificial intelligence becoming its support and physical extension. A matter of contemporary relevance, also due to the impact on workplace health and safety issues, which the film tackles with clarity and cinematic power.  The evening will be presented by Beatrice Bertino, LunedìCinema from Associazione Ratatoj representative, and Annalisa Lantermo, Job Film Days Festival director.  Ticketed event.

Sissignore (Italy, 1968, 105′) Saturday, October 10, 10:00 a.m., Cinema Centrale Arthouse, Via Carlo Alberto 27 In collaboration with the Cineteca Nazionale. Admission: Free. International title: Sissignore Original title: Sissignore Director: Ugo Tognazzi Screenplay: Tonino Guerra, Ugo Tognazzi, Luigi Malerba Photography: Giuseppe Ruzzolini Edit: Marcello Malvestito Musica: Berto Pisano Cast: Ugo Tognazzi, Gastone Moschin, Maria Grazia Buccella, Franco Fabrizi Production: Fair Film Distribution: Euro International Films Oscar, driver of a well-known and powerful industrialist known to all as “the lawyer”, is so subservient to his superior that he accepts to spend three years in jail, taking responsibility for a tragic car accident,  promising that his life is going to change when he gets out of there. Instead, it would be only the beginning of a series of personal and work humiliations to which Oscar will have to surrender every time, trapped in a fictional world that regenerates itself.  From the beginning, Tognazzi (in his masterfully directed third film) opts for an anti-realist choice describing corrupted industrialists and subdued employees. This masterpiece, released in 1968, at the peak of the protest, takes the shape of ruthless, cruel and bitter comedy on the power structure that preys upon the working class, and […]

Saturday 10 October, 7 pm, Cinema Massimo, Screen 3, Via Giuseppe Verdi, 18 In collaboration with Museo Nazionale del Cinema and Fondazione Teatro Piemonte Europa. On Saturday 10 October at 7 pm at Cinema Massimo, Room 3, Job Film Days, in collaboration with Museo Nazionale del Cinema and Fondazione Teatro Piemonte Europa, presents Prima che la notte, starring Fabrizio Gifuni. Made for television and directed by Daniele Vicari, the film features Gifuni as the Sicilian journalist Giuseppe Fava, murdered by Cosa Nostra in 1984. A unique opportunity to see one of the Rome-born actor’s most powerful performances on the big screen. The film is introduced by Fabrizio Gifuni. Admission: tickets required. Prima che la notte (Italy, 2018, 120′) International title: Prima che la notte Original title: Prima che la notte Director: Daniele Vicari Screenplay: Daniele Vicari, Claudio Fava, Michele Gambino, Monica Zapelli Photography: Luciano Federici, Gherardo Gossi Edit: Benni Atria Music: Theo Teardo Cast: Fabrizio Gifuni, Dario Aita, Selene Caramazza, Aurora Quattrocchi, Lorenza Indovina Production: Italian International Film In 1980, Giuseppe Fava decided to return to Catania to found the newspaper Giornale del Mezzogiorno, after reaching major achievements in the field cinema, television, radio and theater. Around this endeavor, he […]

Halo (South Korea, 2025, 106′) Italian subtitles / English subtitles Wednesday, October 7, 3:00 p.m., Cinema Massimo, Theater 3, Via Giuseppe Verdi 18 International title: Halo Original title: Hugwang  Director: Roh Young-wan Screenplay: Roh Young-wan, Kim Eun-na Photography: Kim Jae-hong Edit: Yi Seung-hyun Sound: Lee Kyu-ha Cast: Choi Gang-hyun, Moon Seong-whan, Maeng Joo-one, Kim Han, Lee Jae-yong Production: Kim Eun-na Distribution: Helicon Studio Co., Ltd. Twenty-seven-year-old Min-joon transports packages climbing endless stairs every day, facing a world consumed by constant anxiety: missile alarms, pollution, news from a pre-apocalyptic world. Exhausted and alone, he collapses exhausted inside his van, just as dawn arrives. Family life is no better: alcoholic parents, a scared disabled brother and the weight of constant life discomfort, which contrasts violently with his dream to become a filmmaker. Just as Min-joon’s life seems close to a breaking point, a mysterious astrologist appears on the street and tells him: «Trust me and follow your halo». It looks like a little flame of hope, which the young man clings to trying to make a fresh start and put his life back on track.  Roh Young-wan. Born in Busam in 1989, Roh Young-wan studied acting at university and spent a decade […]

Job Film Days 2026 Opening Night La guerre des prix (France, 2026, 96′) Italian premiere Tuesday 6 October, 8.30 p.m., Cinema Massimo, Screen 1, Via Giuseppe Verdi, 18 The seventh edition of Job Film Days opens on Tuesday 6 October at 8.30 p.m. at Cinema Massimo. Following welcome remarks from the authorities, the evening continues with a reading by actress Manuela Massarenti and a screening of the opening film, La guerre des prix by Anthony Dechaux (France, 2026, 96′). Presented in its Italian premiere, the film follows Audrey, who has built her career promoting organic dairy products from small local businesses. As a purchasing manager for a major retail chain, she finds herself confronted with a system driven by profit that threatens her ideals of sustainability. A thriller about work and economic power, featuring Olivier Gourmet. The evening is hosted by Stefania Rosso (actress). Admission: free, subject to seat availability. To make a reservation, send an email to: info@jobfilmdays.org International title: La guerre de prix Original title: La guerre de prix Director: Anthony Dechaux Photography: Pierre Dejon Music: Benjamin Grossman  Edit: Cécile Staes-Lacommère Cast: Ana Girardot, Olivier Gourmet, Julien Frison, Jonas Bloquet, Aurélia Petit Production: Les Filme de Jeanne, La […]

Learning with tv – Work Film restoration Tuesday 6 October, 10 a.m., Palazzo della radio-Mediateca Rai, Via Giuseppe Verdi, 31 In collaboration with Rai Teche. On Tuesday 6 October at 10 a.m., Job Film Days, in collaboration with Rai Teche, organises an educational session primarily aimed at upper-secondary and vocational school students, focusing on the restoration of film materials from the RAI Archive. Carlo Conversano, from Rai Teche’s Media Digitisation and Preservation department, will explain the approach and methods behind the complex but fascinating work that Rai Teche has been carrying out for several years to ensure the transmission, accessibility and long-term preservation of the Rai Archive, one of the largest and most diverse in the world. The session will explore the techniques, tools and interventions involved, as well as the ethical choices faced by restorers. The session is led by Carlo Conversano (specialist in Media Digitisation and Preservation at Rai Teche). Admission: restricted to schools.

Umani, macchine e il futuro del lavoro Wednesday 7 October, 5 p.m., Cinema Massimo, Screen 3, Via Giuseppe Verdi, 18 In collaboration with Ires Piemonte. On Wednesday 7 October at 5 p.m. at Cinema Massimo, Screen 3, Job Film Days, in collaboration with Ires Piemonte, presents the short films Welcome to Set by Cyan Bae (Netherlands, 2026, 15′), No Mean City by Ross McClean (United Kingdom, United States, 2025, 14′) and We Were Here by Pranav Bhasin (India, 2026, 11′). Among the major transformations of our time, artificial intelligence technologies are also reshaping work: new opportunities, new risks and new questions. Taking this selection of short films as a starting point, experts discuss AI’s impact on organisations and employment, with a view to its human-centred application. Followed by a discussion with Alessandro Ciro Sciretti (President, IRES Piemonte), Francesco Ronchi (President and Chief Technology Officer, Synesthesia), Gregorio Buzzelli (Politecnico di Torino). Moderated by Giorgio Vernoni (researcher, IRES Piemonte). Admission: free. Welcome to set (Netherlands, 2026, 15′) Italian subtitles International title: Welcome to Set Original title: Welcome to Set  Director, Screenplay, graphic design: Cyan Bae Photography: Cristina Lavosi, Hattie Wade Music, edit: Sergio González Cuervo Color grading: Mayis Rukel Cast: Inés Dominguez […]

Learning with tv – Work Set design Wednesday 7 October, 10 a.m., Palazzo della radio-Mediateca Rai, Via Giuseppe Verdi, 31 In collaboration with Rai Teche. On Wednesday 7 October at 10 a.m., Job Film Days, in collaboration with Rai Teche, organises an educational session primarily aimed at upper-secondary and vocational school students, exploring the work of the set designer. Maurizio Zecchin, a Rai set designer with thirty years of experience who has designed sets for numerous programmes broadcast on Rai channels and for several television dramas, will explain how a set is conceived and takes shape, from the initial idea through to construction and broadcast. The session traces the stages of the process: analysing the programme concept or screenplay, working with the director and production team, developing initial sketches, technical design, choosing materials, construction and assembly, and finally adapting the set to filming requirements, lighting and video content. Examples will illustrate the differences between two fields: in television programmes, set design must create a recognisable visual identity while meeting the needs of the studio, cameras and lighting; in drama, settings help define the story, period and characters’ identities. The session is led by Maurizio Zecchin (Rai set designer). Admission: bookings […]

What Comes from Sitting in Silence? (France, United States, South Korea, Switzerland, 2026, 77’) Italian subtitles Thursday 8 October, 6.30 p.m., Cinema Romano, Screen 1, Galleria Subalpina, Piazza Castello, 9 In collaboration with Ordine degli Avvocati di Torino and Magistratura democratica. On Thursday 8 October at 6.30 p.m. at Cinema Romano, Job Film Days, in collaboration with Ordine degli Avvocati di Torino and Magistratura democratica, presents the Italian premiere of What Comes from Sitting in Silence?by Sophie Schrago. In Mumbai, Judge Khatoon has established a women’s Islamic court to offer women a space in which to report the violence they have suffered and seek justice, challenging conservative social structures. The film’s political dimension particularly impressed the jury at the 2026 Visions du Réel festival in Nyon, which awarded it the National Competition Jury Prize with the following citation: “The film addresses a difficult reality with extraordinary empathy for its courageous protagonists, who strive to preserve their personal integrity.2 The director introduces the film, followed by a Q&A. Speakers: Cesarina Manassero (lawyer and Chair of the Equal Opportunities Committee, Ordine Avvocati Torino), Dafne Koumentakis (Council Member, Ordine Avvocati Torino), Giulia Locati (judge, Turin Court of Appeal). Admission: tickets required. International Title: […]

Kevine et Fortune (Switzerland, 2025, 62′) Italian premiere Thursday 8 October, 10 a.m., Cinema Massimo, Screen 3, Via Giuseppe Verdi, 18 In collaboration with ACLI Torino and Enaip Piemonte. On Thursday 8 October at 10 a.m. at Cinema Massimo, Screen 3, Job Film Days, in collaboration with Enaip Piemonte and ACLI Torino, presents the Italian premiere of Kevine et Fortune by Sarah Imsand. Through the story of two young Cameroonian women footballers, the film explores the difficulties of professionalising women’s sport and the desire to turn a passion into a job. Amid training sessions, insecurity and obstacles, Kevine and Fortune pursue their dream of playing in Europe and for Cameroon’s national team, in a context where making football a profession remains a challenge for women. Welcome remarks by Roberta Mastromauro and Carlo Emilio Zummo (Provincial Executive, Acli Torino), Matteo Faggioni (Director General, Enaip Piemonte; President, Forma). Followed by a conversation with Pamela Gueli (captain of the Moncalieri Calcio women’s team), interviewed by Stefania Collina (journalist and teacher). Admission: screening reserved for Enaip Piemonte students. International title: Kevin and Fortune Original title: Kevin et Fortune Director, screenplay: Sarah Imsand Photography: Sylvain Marco Froidevaux  Edit: Olivia Frey, Romain Namura Music: Frank Williams, […]

The dignity of work Thursday 8 October, 2.30 p.m., Ordine dei Consulenti del Lavoro di Torino, Via Pietro Giannone, 10 In collaboration with Ordine dei Consulenti del Lavoro di Torino. On Thursday 8 October at 2.30 p.m., at the association’s headquarters, Job Film Days, in collaboration with Ordine dei Consulenti del Lavoro di Torino, presents three short films that explore work from unusual perspectives. Il quaderno di Tommaso by Marco Pellegrino (Italy, 2026, 20′), L’uomo a cui hanno rubato il cuore by Francesca Sepa and Riccardo Colleluori (Italy, 2026, 15′) and Overwork by Céline Berger (Germany, 2025, 10′) use different stories and cinematic approaches to explore the relationship between work, conscience, productivity and identity. From the discovery of civic responsibility to a critique of a system that measures people by their productivity, and the alienating repetition of everyday gestures, these three films invite us to view the world of work from unexpected angles. Followed by a discussion with Fabrizio Bontempo (President, Ordine Consulenti del Lavoro di Torino), Luca Furfaro (Secretary General, Fondazione Studi Consulenti del Lavoro di Torino), Stefania Vettorello (Council Member, Ordine Consulenti del Lavoro di Torino). Admission: by invitation. Tommaso’s Notebook (Italy, 2026, 20′) International title: Tommaso’s Notebook […]

Scarecrows (Latvia, Lithuania, 2025, 90′) Italian subtitles Thursday 8 October, 2.30 p.m., Cinema Massimo, Screen 3, Via Giuseppe Verdi, 18 In collaboration with CGIL – CISL – UIL Torino. On Thursday 8 October at 2.30 p.m. at Cinema Massimo, Screen 3, Job Film Days, in collaboration with CGIL-CISL-UIL Torino, presents the Italian premiere of Scarecrows by Laila Pakalnina. Filmed over four seasons, the documentary goes behind the scenes at Riga Airport, following the teams responsible for monitoring animals on the runways and preventing accidents and collisions. This little-known job, which demands constant attention and allows no breaks, is portrayed through the ironic and distinctive gaze of one of Latvia’s leading filmmakers. Followed by a discussion with Salvatore Giallombardo (Secretary, FIT-CISL Piemonte). Admission: by invitation. A limited number of tickets are available to the public. Italian premiere International title: Scarecrows Original title: Putnubiedekli Director, screenplay: Laila Pakalnina Photography: Maris Maskalans Edit: Ieva Veiveryté Music: Paulius Kilbauskas, Vygintas Kisecicius  Sound: Jonas Maksvytis  Production: Moonmakers, VFS Films Shot across four seasons, the latest movie by Laila Pakalnina, one of the leading filmmakers in Latvia and Baltic countries – Italian premiere at the festival – takes us to discover a hidden side of an […]

The keepers of cinema. The transformation of cinema work between memory and future Friday 9 October, 2.30 p.m., Cinema Massimo, Screen 3, Via Giuseppe Verdi, 18 In collaboration with Agis Piemonte e Valle d’Aosta. On Friday 9 October at 2.30 p.m. at Cinema Massimo, Screen 3, Job Film Days, in collaboration with Agis Piemonte e Valle d’Aosta, presents the discussion The Keepers of Cinema. The Transformation of Cinema Work Between Memory and the Future. Over the past thirty years, cinemas have undergone profound change. This event offers an opportunity to retrace the sector’s evolution over those decades before going behind the scenes through the voices of its protagonists. Through anecdotes and recollections, the spotlight falls on often invisible professions, revealing how cinema work has evolved and the new professional and creative opportunities now open to younger generations. Introductions by Gimmi Basilotta (President, AGIS Piemonte Valle d’Aosta) and Marta Valsania (Director General, AGIS Piemonte Valle d’Aosta). Followed by a discussion with Bruno Surace (Università di Torino, PhD in Semiotics and Media), Paola Fumagalli (cinema exhibitor and Head of Human Resources, Arcadia Cinema circuit), Sergio Geninatti (Cinema Manager, Cinema Massimo in Turin). Admission: free.

Il filo della storia (Italy, 2026, 53′) Friday 9 October, 6.30 p.m., Cinema Romano, theatre 1, Galleria Subalpina, Piazza Castello, 9 In collaboration with CNA Torino. On Friday 9 October at 6.30 p.m. at Cinema Romano, theatre 1, Job Film Days, in collaboration with CNA Torino, presents Il filo della storia by Patrizia Di Blasi. In Coazze, in the Sangone Valley, the history of hemp reveals an entire world of work, from cultivation to weaving and the factories that shaped the area’s economic growth. Through the voice of master weaver Bruno Tessa, personal testimonies and archive material, the film reconstructs an agricultural and textile tradition. Yet memory also opens a perspective on the future: the film asks whether a hemp supply chain could be reintroduced to generate new products, jobs and more sustainable forms of economic activity. The director introduces the film, followed by a Q&A. Speakers: Bruno Tessa (master weaver and the film’s protagonist), Flavia Giai Miniet (weaver featured in the film), Anna Nepote Valentin (weaver, Museo Etnografico e Laboratorio dell’Arte tessile lanzese), Federica Baravalle (Secretary, Assocanapa), Tiziana Furegato (Mostra mercato artigianato tessile, Collegno), Giancarlo Carrisi (Heritage & Innovation textile arts project), Mioara Verman (President, CNA Federmoda Piemonte). Moderated […]

Un velo di grigio sulle palpebre – Lo sguardo delle divine Tuesday 29 September, 4.30 p.m., Centro Incontro Circoscrizione 7, Corso Casale, 212 In collaboration with Centro Incontro Circoscrizione 7 and the Madonna del Pilone branch of Università della terza Età (Unitre). On Tuesday 29 September at 4.30 p.m., Job Film Days, in collaboration with Centro Incontro Circoscrizione 7 and the Madonna del Pilone branch of Università della terza Età (Unitre), presents the theatre performance Un velo di grigio sulle palpebre – Lo sguardo delle divine. In this production by Associazione Liberipensatori Paul Valery, under the artistic direction of Stefania Rosso, four actresses journey through the lives of the “divas” of the silver screen. They choose to shift the focus beyond the icons themselves to those who inhabited, brushed against, built or suffered within that world, revealing the stories behind each legendary face. Admission: free. Based on an idea by Oliviero Corbetta with Stefania Rosso, Daniela Vassallo, Elena Canone, and Vanessa Lonardelli. “A Veil of Gray on the Eyelids” is a journey into and around the myth of cinema, to places where the spotlight never quite reaches. Four actresses trace the lives of the “divas” of the silver screen but […]

No Other Choice (South Korea, France, 2025, 139′) Italian subtitles Tuesday 29 September, 9 pm, Associazione culturale Comala, Corso Francesco Ferrucci, 65/a In collaboration with Associazione culturale Comala. On Tuesday 29 September at 9 pm, Job Film Days, in collaboration with Associazione Culturale Comala, presents No Other Choice by Park Chan-wook. The director of the “Vengeance Trilogy” (Sympathy for Mr. Vengeance, Oldboy, Lady Vengeance) turns the fear of losing one’s job into a ruthless black comedy about how far a man can go when he feels he has no alternatives left. Admission: free. International title: No Other Choice Original title: Eo-jjeol su-ga eop-da Director: Park Chan-wook Screenplay: Park Chan-wook, Lee Kyoung-mi, Don McKellar, Jahye Lee Photography: Kim Woo-hyung Edit: Kim Ho-bin, Kim Sang-beom Music: Cho Young-wuk Cast: Lee Byung-hun, So Yul Choi, Lee Sung-min, Son Ye-jin, Yeom Hye-ran Production: CJ ENM Co., CJ Entertainment, Moho Film  Distribution: Lucky Red You Man-su, an expert employee of paper company Solar Paper, where he has worked for twenty-five years, loses his job when a US company acquires it and lays off most of the staff. Until that moment, his life seemed perfect with a house, wife and two children. Now, everything has changed. […]

Opening of the photography exhibition “Uno scatto per raccontare il lavoro” Thursday 1 October, 6.45 p.m., Ramo d’Oro, Galleria Umberto I, Piazza della Repubblica, 4 In collaboration with Ordine dei Giornalisti del Piemonte and Ramo d’Oro. On Thursday 1 October at 6.45 p.m., Job Film Days, in collaboration with Ordine dei Giornalisti del Piemonte and Ramo d’Oro, opens the photography exhibition Uno scatto per raccontare il lavoro. Photographs by Simona Carnino, Max Ferrero, Michele D’Ottavio, Lorenzo Goisis, Giò Palazzo, Mauro Raffini, Alessandro Rocca, Stefano Rogliatti, Roberto Sias and Mauro Ujetto. A visual narrative told through multiple voices, highlighting photojournalism’s role as a witness to the present and a means of reflecting on rights and the changing world of work. For the first time, photojournalists from Piedmont with different backgrounds and sensibilities come together in an exhibition that combines the invaluable work of photojournalism with its vocation as an attentive witness to the present. Places, professions, men and women. Work that is missing, and work that offers a chance for a fresh start. Work as fulfilment, exploration and the beauty of a craft. Places that speak of a vanished industrial world, still powerfully present in the city’s imagination. Of toil and […]

Opening of the photography exhibition “Il metallo e la carne” by Robertino Radovix Friday 2 October, 6 p.m., Cinema Romano, Galleria Subalpina, Piazza Castello, 9 In collaboration with Cinema Romano. On Friday 2 October at 6 p.m., Job Film Days, in collaboration with Cinema Romano, opens “Il metallo e la carne”, a photography exhibition by Robertino Radovix, curated by Elena Radovix. Created inside an Indian foundry, the work explores the relationship between bodies and materials in industrial production. In these powerful images, the presence of workers – often without adequate protective equipment – brings vulnerability and exposure to risk into focus. A critical reflection on work, safety and rights, in which photography becomes a tool for raising awareness. Admission: restricted to screening attendees.